Bonsai Tonight

Million dollar bonsai

Posted in Reflections by Jonas Dupuich on November 25, 2011

Million dollar bonsai

There was a lot of talk about a large white pine at the 11th Asia-Pacific Bonsai and Suiseki Convention & Exhibition (ASPAC 2011) offered for 100,000,000 yen. At today’s exchange rate, that’s close to 1.3 million dollars.

Million dollar white pine

Million dollar bonsai

The tree was offered by S-CUBE, the bonsai organization headed by Seiji Morimae. The tree sported a sold sign on the second day of the convention, but I do not know for how much the tree actually sold.

Could a large white pine really be worth $1,000,000? Good question. The pine is big, really big, and it has amazing roots.

Trunk

Million dollar roots

Million dollar trunk

Good trunk, good roots, and the man behind S-CUBE, Seiji Morimae

What I’m learning is that it can be difficult to determine the value of trees like this because they are unique. Vendors have heard about the slow economies around the world in many languages this week, but a few good buyers have been leaving a slew of red sold signs in their wake, and the very best trees sold well – hence the success of S-CUBE at the event. If only more exhibits featured such nice trees!

Japanese maple

Japanese maple – sold

White pine

White pine – sold

Japanese maple

Japanese maple

Chinese juniper

Chinese juniper – sold

Cork bark pine

Cork bark black pine

Chinese quince

Chinese quince

Black pine

Japanese black pine – sold

Japanese maple

Japanese maple

Chinese juniper

Chinese juniper – sold

White pine

White pine – sold

White pine

White pine – sold

S-Cube bonsai

A row of great trees

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Scenes from a Kondo workshop

Posted in Reflections by Jonas Dupuich on August 19, 2011

Scenes from a Kondo workshop

I recently had the good fortune to attend a bonsai workshop run by Akio Kondo. In contrast to the last Kondo workshop I attended, this event was more pensive, more contemplative. My trees experienced no radical transformations. Instead, we spent time making plans for the future and talking about how and when to execute these plans. Not the most exciting bonsai work, but some of the most important work. Others in the workshop had similar experiences.

Pondering kaede

Contemplating kaede

Kondo had a number of suggestions for the trident maple above. Some branches were left long so they could thicken. Others were kept short. Long drooping branches were wired slightly upward. In a year or two, the long branches will be shortened to stubs and the process will begin again the following year.

A grafted prostrata juniper with wonderfully green shimpaku foliage showed up for styling. Trees benefit greatly from professional attention at this stage of development. Watching the tree shape up with help from a such a talented artist was a treat. Although the day ended before the tree was finished, I’m hoping I’ll see it completed before long.

Grafted prostrata juniper

Shimpaku

Kondo spent a long time making subtle adjustments to an old procumbens juniper. Cutting a bit of a branch here, wiring a branch there, Kondo performed fairly mundane work on the tree. We were surprised, when he finished, at the difference these small adjustments made. Although the tree will continue to improve as the branch pads develop, we now have a much better idea of what form the bonsai will take in the future.

Styling a procumbens juniper

Refining a branch pad

The matter of the front is still up for grabs a bit. The front pictured below is a good candidate, as is a similar front a few degrees to the left.

Procumbens juniper

Sonare

The primary styling goal is to highlight the interesting movement in the trunk.

Procumbens juniper - trunk detail

Sonare – trunk detail

The most radical step in the tree’s immediate future will be repotting. Setting the tree in a more appropriately sized – read: smaller – pot will make a world of difference.

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Bonsai apprentices online

Posted in Reflections by Jonas Dupuich on June 7, 2011

Bonsai apprentices online

Like many bonsai enthusiasts, I’ve long dreamed about studying bonsai in Japan in a formal apprenticeship. After hearing tales from Kathy Shaner, Boon Manakitivipart, and Michael Hagedorn, I’m both excited by, and somewhat afraid of, all that the experience entails.

Recently three more bonsai students began apprenticeships in Japan: Tim Gardner, Peter Tea, and Tyler Sherrod. Tim is studying with Tohru Suzuki at Daiju-en in Okazaki. Toshinori Sukuki, Tohru’s father, trained Yasuo Mitsuya, Kathy’s teacher, and Kihachiro Kamiya, Boon’s teacher.

Peter is studying with Junichiro Tanaka, owner of Aichien Bonsai Nursery in Nagoya. Tanaka studied bonsai with Tohru Suzuki.

Tyler is studying bonsai with Shinji Suzuki in Obuse, near Nagano. Michael Hagedorn studied bonsai with Shinji Suzuki, and Matt Reel continues to study with Suzuki. Shinji Suzuki studied with Motosuke Hamano, Masahiko Kimura’s teacher.

Somehow, both Peter Tea and Tim Gardner have found time to write about their adventures and share them online. Their blogs are among my favorite bonsai sites as they contain great photos and excellent advice on bonsai training and care. I recommend them both highly.

Here are some photos from Peter’s Aichien Journal (photos by Peter Tea):

Aichien

Japanese black pine

Aichien

Japanese five needle pine

Aichien

Japanese maple

And here are some photos from Tim’s Daiju-en Journal (photos by Tim Gardner):

Daiju En

Tohru Suzuki working on a Japanese black pine

Daiju En

One of the greatest collections of pines on earth – Daiju-en

Daiju En

More pines from Daiju-en

Peter, Tim, and Tyler – I wish you all the best of luck. Ganbatte!

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Evaluating bonsai at Bay Island Bonsai meeting

Posted in Reflections by Jonas Dupuich on May 10, 2011

Evaluating bonsai at Bay Island Bonsai meeting

Learning to evaluate bonsai is a big part of the Bay Island Bonsai experience. If one doesn’t understand a tree’s good and bad points, it’s hard to improve the tree, and it’s hard to know how much to pay for it.

We’ve been using a simple form designed by Boon for over 10 years. The idea is that it’s easier to evaluate part of a tree than it is to synthesize all of a tree’s good and bad points into a single measure. At our recent May meeting, we looked closely at two trees: a Tsukumo cypress and a Japanese black pine.

Tsukumo cypress

Tree #1 – Tsukumo cypress

Japanese black pine

Tree #2 – Japanese black pine – exposed root style

At a glance, the Tsukumo cypress is the more impressive tree. It is full, healthy, and has a nice silhouette. The pine looks like it has a way to go before we’ll see it in our exhibit. The judging, however, tells a different story. I’ll save you the math and provide averages for the forms that appear below.

Tree #1 – Tsukumo cypress
Trunk 5
Branches 3
Rootage 3
Pot Selection 3
Aesthetics 3
Total 17

Tree #2 – Japanese black pine
Trunk 8
Branches 3
Rootage  4
Pot Selection 4
Aesthetics 3
Total 22

After marking our forms, we reconvene and publicly discuss the results. The corrections on several of the cards below reflect the broader consensus.

Judging form

Judging form

Judging form

Judging form

Judging form

Judging form

Judging form

Judging form

Judging form

Judging form

Judging form

Judging form

New members often have trouble with this atomized approach to evaluating trees. Over time, however, member scores tend to move toward the mean. These evaluation exercices prepare us for our annual exhibit. At the exhibit, members select the best tree in each class. Winning trees receive Members’ Choice Awards. More importantly, the skills we gain from learning to evaluate bonsai help us guide our own trees toward exhibit.

A complementary exercise at BIB meetings involves creating practice displays and bringing trees to share with others in the hopes that we can together determine whether or not a tree is ready for exhibit.

Satsuki azalea

Satsuki azalea

Satsuki azalea

Satsuki azalea blooms

Satsuki azalea

Satsuki azalea blooms

This azalea is planted in what the Japanese often refer to as a “white” pot. Age has darkened the pot to the point that it evokes grey now more than white. It’s a beautiful pot that suits the azalea well.

“White” pot

We were also treated to an attractive hinoki bonsai. I’ve been partial to hinoki bonsai for years. They have wonderfully dark green foliage and their well-composed branch pads can reveal age well.

Hinoki cypress

Hinoki cypress

Hinoki cypress - branch detail

Hinoki cypress – branch pad detail

I’m still unsure about which of my own trees will make it to exhibit this year. I’m hoping I’ll have a better idea by the end of summer. If I had to decide today – well, it would be a hard decision.

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