Learning to evaluate bonsai is a big part of the Bay Island Bonsai experience. If one doesn’t understand a tree’s good and bad points, it’s hard to improve the tree, and it’s hard to know how much to pay for it.
We’ve been using a simple form designed by Boon for over 10 years. The idea is that it’s easier to evaluate part of a tree than it is to synthesize all of a tree’s good and bad points into a single measure. At our recent May meeting, we looked closely at two trees: a Tsukumo cypress and a Japanese black pine.
Tree #1 – Tsukumo cypress
Tree #2 – Japanese black pine – exposed root style
At a glance, the Tsukumo cypress is the more impressive tree. It is full, healthy, and has a nice silhouette. The pine looks like it has a way to go before we’ll see it in our exhibit. The judging, however, tells a different story. I’ll save you the math and provide averages for the forms that appear below.
Tree #1 – Tsukumo cypress
Pot Selection 3
Tree #2 – Japanese black pine
Pot Selection 4
After marking our forms, we reconvene and publicly discuss the results. The corrections on several of the cards below reflect the broader consensus.
New members often have trouble with this atomized approach to evaluating trees. Over time, however, member scores tend to move toward the mean. These evaluation exercices prepare us for our annual exhibit. At the exhibit, members select the best tree in each class. Winning trees receive Members’ Choice Awards. More importantly, the skills we gain from learning to evaluate bonsai help us guide our own trees toward exhibit.
A complementary exercise at BIB meetings involves creating practice displays and bringing trees to share with others in the hopes that we can together determine whether or not a tree is ready for exhibit.
Satsuki azalea blooms
Satsuki azalea blooms
This azalea is planted in what the Japanese often refer to as a “white” pot. Age has darkened the pot to the point that it evokes grey now more than white. It’s a beautiful pot that suits the azalea well.
We were also treated to an attractive hinoki bonsai. I’ve been partial to hinoki bonsai for years. They have wonderfully dark green foliage and their well-composed branch pads can reveal age well.
Hinoki cypress – branch pad detail
I’m still unsure about which of my own trees will make it to exhibit this year. I’m hoping I’ll have a better idea by the end of summer. If I had to decide today – well, it would be a hard decision.
After visiting the GSBF Mammoth Fundraiser last weekend, I stopped by the Bonsai Garden at Lake Merritt. Spring is a great time to visit the garden as the quince are in bloom and the maples are just starting to leaf out. It’s also a good time of year to see the blooms that make the winter hazel (Corylopsis spicata) unique.
Winter hazel blossoms
Winter hazel (Corylopsis spicata)
The garden is home to the largest pomegranate bonsai I’ve seen. According to the garden’s website, the tree was “Dug from an old orchard (thought to have been planted in late 1800s) in Lodi by Vince and Kathy Owyoung. They donated the tree, Sept. 2002. Styled by Seiji Shiba. A glass jar was found embedded in the trunk. Potted at the Garden, Aug. 5, 2008.”
Pomegranate (Punica granatum)
Pomegranate – trunk detail
A number of Japanese maples had just started to leaf out. The new foliage is beautiful.
Japanese maple foliage
Japanese maple – note bamboo used to arrange trunks
Japanese maple grove
I’ve watched the California juniper below develop for close to 15 years – it has an interesting curve to the trunk. From the website: “Collected in 1954 from the high desert region near Palmdale in southern California, this tree was styled about 1964.”
The fruit on the citrus below puts the tree in perspective. Every visitor that passed by stopped for a closer look.
Last weekend the Golden State Bonsai Federation (GSBF) held simultaneous fundraisers in support of its Northern and Southern California bonsai collections. In Northern California, the GSBF held an auction Saturday and a bonsai bazaar on Sunday.
I’ve always been a fan of bonsai auctions. I’ve participated in them as a buyer, a seller, and a barker – the latter being my favorite of the three. I like auctions because they provide bonsai enthusiasts with a market for their trees and an opportunity to buy material not often found in nurseries. At the same time, they support bonsai organizations whose programs benefit the broader bonsai community.
Bonsai auctions also provide a venue in which perceptions of value are tested and measured. Are reserves too high or too low? Are buyers savvy or frenzied? Which trees are most popular? Which are least popular? How much will I spend on that oak?
GSBF had the most important elements of a successful auction in place: there were plenty of bidders, volunteers, and trees for sale. Here are a few photos from the event.
Trees waiting for their turn on the block
Jay holding up a tree for all to see.
If the collected Sierra juniper below tells a story, I’m not sure what to make of it. Nicknamed, “hermaphrodite,” the tree received a lot of attention at Bay Island Bonsai’s recent exhibit. The deadwood and shari are interesting, but not without controversy. Discussion often involves whether or not the primary branch is necessary. For now the answer is yes.
As displayed in the exhibit