Bonsai Tonight

Apprentice life

Posted in Reflections by Jonas Dupuich on March 2, 2012

Apprentice life

More than a few friends and family members have asked what it was like living as a bonsai apprentice in Japan for 6 weeks. Some days were filled with mochi parties and antique shows. Other days involved lifting, carrying, and more lifting. There was a lot of sitting in the car as we drove as far as Tokyo and Takamatsu, and there was a lot of second hand smoke.

As much as I lived the day-to-day life of a bonsai apprentice, I was a short-timer, and this helped keep my spirits high throughout my visit. I don’t pretend to know what it’s like for Peter Tea or the other Americans studying bonsai abroad. Fortunately for us, they’re doing a great job writing about their experiences.

Peter started the Aichi-en Apprenticeship Program to expose more people to the bonsai life. So far at least four of us have stayed with the Tanakas in their Nagoya home.

My room at Aichi-en

Apprentice quarters at Aichi-en

My room at Aichi-en

The sum of my furniture: futon, comforter, storage unit, rubbish bin

You’ll notice that the sliding doors and walls offered very little privacy. At any time, the Tanaka’s boys would peek inside to say hi, see if I could play, or stop by for an impromptu computer lesson.

Impromptu computer class

The industrious Hiyuu navigating Facebook

I was fortunate that Peter had been at Aichi-en for seven months when I arrived – plenty of time for him to learn the routine and improve his already considerable bonsai skills. His comfort at Aichi-en insured my comfort there.

Each morning we ate breakfast with the family and then headed out into the sea of bonsai surrounding the house.

A sea of pines

Sea of bonsai

We spent much of our time in the workshop. Mr. Tanaka sat just inside the door – I sat to his right, then Peter, and finally the other Mr. Tanaka, a third-year apprentice, sat at the far end of the workshop. Some days were quiet, others were chatty. Snacks appeared around 10:30 and 3:30 each day, as did lunch and dinner at fairly predictable times. What was not predictable, however, was how much time we got to spend in the workshop.

I visited Aichi-en in Fall – show season. This meant that we spent a lot of time with show-related activities that included picking up trees from customers, preparing trees for exhibits, and setting up and later striking the actual exhibits.

Daiju-en sales area at Takamatsu convention

At the Daiju-en sales area, part of the 11th Asia-Pacific Bonsai and Suiseki Convention and Exhibition held in Takamatsu

Fall is also pine season. When we weren’t doing exhibit-related work, pines filled the workshop.

The workshop

Aichi-en workshop

In the workshop

Mr. Tanaka and me appraising a white pine

Workshop

Debatable wiring technique

Mr. Tanaka

The intrepid Mr. Tanaka – no relation to the boss

Workshop time doesn’t necessarily equate to bonsai time. Peter, apprentice-Tanaka, and I, cleaned the workshop every day and performed tasks that varied from packing boxes to painting display stands. The same was true for Mr. Tanaka. His work came to a halt whenever customers visited, and evenings were often filled with projects like the fabrication of root stands.

Working on a root stand

Mr. Tanaka at work on a root stand

One apprentice-related topic that deserves special attention is food. It’s one thing to have little control over one’s time. It’s another to have little control over what, and how quickly, one must eat.

I was fed very well and I missed the food the day I returned home. But because we had so little control over what, where, and when we ate, our free time often focused on food.

On those special occasions when we had time off – maybe one day per 10-20 days – we often headed across a busy street to a mall that had a great grocery store. Peter and I picked out everything that looked good and then spent the rest of the day snacking. Treats ranged from the healthy, including Japan’s outstanding – and expensive – produce, to all manner of things fried.

Fried snacks at local super market

Fried treats at the local grocery

$7 for 3 apples!

Amazing apples – only $7 for three!

Cherry flavored mochi with red bean paste

Roasted cherry-flavored mochi with red bean paste

The meals rarely left me hungry – the Japanese develop great appetites at an early age.

Prodigious eater

What are you looking at?

Udon

Finding the bottom of the udon bowl

Peter and the fish (Taiyaki)

Peter vs the Taiyaki – waffle batter with red bean paste inside

Our precious days off gave us the opportunity to catch up with friends or with blog posts, explore the neighborhood, or simply sleep. Mundane activities included laundry. Peter and I used the Tanakas’ washing machine, but dried our clothes at a laundromat a few blocks away. In one of the more surreal moments of my visit to Japan, I found myself alone with a uniformed laundry attendant vacuuming beneath the dryers on her hands and knees while the Carpenters sang their greatest hits.

Days off also provided social time with the Tanaka family. One day we headed to the oldest Temple in Nagoya to participate in a service for young boys, of which the Tanakas have three.

Aichi-en kids

The Aichi-en children

Afterwards, we visited an open house hosted by the man who built the Tanaka’s residence.

Open house

Traditional Japanese home – hinoki and sugi

We also had a little free time in the mornings before Mr. Tanaka came out to the workshop. I typically walked around appreciating the trees – and pots, of which Aichi-en had plenty.

So many great trees and I'm focused on the pots

Hmm, Japanese, 40 years old – maybe just the thing for that pine back home

Above all, I can say the time spent with Peter and the Tanakas was great fun. I learned a lot and had a wonderful time along the way. I sincerely appreciate the effort Peter and the Tanakas took to ensure I had a great trip – if any of you are reading this, thanks again!

On my last evening, Mr. Tanaka presented me with a certificate for completing 6 weeks of study at his nursery. To celebrate, we headed into town and visited a driving range!

Aichi-en Apprenticeship Program Certificate

Here’s the paper – now on with the party

Of course, it was early December in Nagoya – not the warmest time of the year, but as good a time as any for golf, a sport which all three of us – Mr. Tanaka, Peter and myself – have neglected in recent years due to our obsession with bonsai.

It wasn't warm

Mr. Tanaka armed against the cold with cigarette and coffee – me with hoodie and 5-iron

The driving range was pretty incredible. After striking a ball, the tee dipped below the artificial grass and arose with another ball in place – there was no bending over at this range. And the vending machine that provided us with the cards used to magically dispense balls proved to be the most thoughtful vending machine I’ve seen. The text reads, “CARD: This machine represents pleasant feeling with simple form and fresh color patterns. Glory producing machine by respecting convenience of users and others.”

Amazing decoration on vending machine at Nagoya driving range

“Glory producing machine”

At the driving range

Intense competition on the range – brrr!

After proving that we aren’t the golfers we once were, we lit out for a late night snack – ramen. The evening made for a great finish to an outstanding trip. I can’t wait to go back!

Thanks for reading :)

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Styling a white pine

Posted in Styling by Jonas Dupuich on February 28, 2012

Styling a white pine

One of the last trees I worked on at Aichi-en last fall was a mid-sized white pine. My styling guidance was simple – I was told to make the tree look nicer. Beyond that, Mr. Tanaka told me not to cut too much. Cutting large branches can trigger vigorous growth and one of the primary goals for refining white pines is controlling vigor and keeping needles short.

I began by removing the old needles and a few small branches before I started wiring. I began with the first branch and worked my way up from there. About half way up the tree, I was unhappy with my progress – I thought the tree looked funny. At this point, Peter Tea mentioned that Mr. Tanaka often focuses on the angles of the main branches. The main branches weren’t making me happy, and Peter strongly encouraged me to go for it, so I spent about a day lowering the main branches where I wanted them. Before long, the smaller branches fell into place and I was done.

Done enough, anyway. Once I was relatively happy with the tree, I had Mr. Tanaka take a look. Here are shots of the pine before I started work and after I finished.

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Front – before

White pine - after styling

Front – after

Mr. Tanaka got to work quickly and began with the first branch. He spaced out the foliage creating a wider, and flatter, branch pad. I liked it. He then reduced a branch in the front of the tree which exposed more of the trunk. Beyond that, Mr. Tanaka made many minor adjustments and finished by lowering two of the main branches and removing a fairly large branch on the right side of the tree – a change that’s barely noticeable in the photo. The change that most intrigued me concerned the apex. It now stood upright and pointed in the opposite direction, creating more movement near the top of the trunk. Here is the tree as adjusted by Mr. Tanaka.

With Mr. Tanaka's adjustments

After Mr. Tanaka’s adjustments

Left side

Left side

Back

Back

When he was finished, I handed him the camera which allowed him to flip between photos of his work and mine. The comparison entertained him as it did me. He flipped back and forth between the two images for several minutes, repeating, “omoshiroi, omoshiroi” – omoshiroi being the Japanese word for both fun and funny.

White pine - after styling

Before Mr. Tanaka’s adjustments

With Mr. Tanaka's adjustments

After Mr. Tanaka’s adjustments

My work was somewhat conservative compared with Mr. Tanaka’s. I figured it was easier to remove branches later than to grow new branches after making misguided cuts. Now that I’m back in California, the decision’s all mine – to cut or not to cut – and not cutting means I have more to wire.

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Pines and junipers at Meifu-ten

Posted in Exhibits by Jonas Dupuich on February 17, 2012

Pines and junipers at Meifu-ten

Central Japan will not run out of pine or juniper bonsai anytime soon. The trees below comprise about a fifth of the bonsai displayed at this year’s Meifu-ten in Nagoya, Japan. As a hobbyist exhibit, Meifu-ten shows off some of the best work done by local hobbyists and collectors. Although many of trees were prepped for the exhibit by professionals, the general quality isn’t quite what one finds at Taiken-ten or Kokufu-ten. That said, the material and much of the work is wonderful.

Shimpaku

Cascade shimpaku on root stand

Shimpaku

Shimpaku

Black pine

Black pine

Black pine

Black pine

The following six trees belong to Aichi-en customers. All of us at the nursery that week – Mr. Tanaka, the other Mr. Tanaka, Peter Tea and I, all helped pluck errant needles, wire unruly branches, oil dirty pots and arrange small tufts of moss.

Black pine

Black pine – Peter Tea prep – a very nice tree

Black pine

Black pine – one of the trees I helped prep for the exhibit

Black pine

Black pine – the tree belongs to Mr. Tanaka, a 3rd year apprentice at Aichi-en – Peter Tea prep

Black pine

Black pine – the other tree I prepped

Black pine

Black pine – Peter Tea prep

White pine

White pine – Mr. Tanaka and Peter Tea wired this tree late into the evening

Black pine

Black pine

White pine

White pine

Black pine

Black pine

Black pine

Black pine

Black pine

Black pine

Black pine

Black pine

Shimpaku

Shimapaku

Red pine

Red pine

Needle juniper

Needle juniper

White pine

White pine

Black pine

Black pine

The white pine below received some extra attention. It belongs to a Daiju-en customer and had been prepared for exhibit with the front as pictured below.

White pine

White pine – intended front

I placed the tree on the stand with this front but that wasn’t good enough for Mr. Tanaka, who turned the tree to the front pictured below. As it happens, the six-sided pot and six-sided stand made the change easy. What I don’t know, is what the customer thought when he saw the resulting photo or how the tree was actually displayed at the exhibit in January.

White pine

White pine as photographed

White pine

White pine

Shimpaku

Twisty shimpaku!

Black pine

Black pine

White pine

White pine

Black pine

Black pine

White pine

White pine

Black pine

Black pine

Black pine

Black pine

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Meifu-ten – Nagoya’s bonsai exhibit

Posted in Exhibits by Jonas Dupuich on February 14, 2012

Meifu-ten – Nagoya’s bonsai exhibit

Meifu-ten, one of Japan’s largest and oldest bonsai exhibits, was held January 14-16 in Nagoya. The 82 annual event contained scores of trees from all over Central Japan. Although I wasn’t able to attend, I had the opportunity to carry most of the exhibited bonsai during my visit to Japan last fall. The photographs for exhibited trees were taken in Inazawa on November 10-11, 2011. The trees’ owners – or designated professionals – showed up with trucks and vans, and a handful of us loaded and unloaded the trees for a day and a half.

Bonsai delivery truck

An impressive load of trees

Kinbon managed the photo shoot, hiring two local contract photographers, each set up in adjacent warehouses. Peter Tea and I provided the labor for one of these.

Peter standing at the ready

Peter spots the trees for the next shot

The photographers indicated the order in which the trees were shot. Each owner was given a time slot ahead of time which helped us manage the workflow. After setting up a display, we stood back and watched the photographer work. He began by making an index shot with a DSLR to check the lighting. These shots included a numbered card to help them track information about each tree. He then took 3-5 shots with a medium camera shooting film! A Kinbon staffer recorded the tree variety, height, pot maker and owner for each shot.

Flowering quince and needle juniper

Number 115 – needle juniper

The work proved surprisingly fun. We got to see an exhibit up close, and we had time to consider each tree. Some were outstanding – others made it clear that this was an exhibit for hobbyists. All told, it was a good mix of trees.

Gardenia

Gardenia

Japanese maple

Japanese maple

Shimapku

Needle juniper

Apart from the few trees that arrived in trucks chock-full of bonsai, every other tree I carried arrived in a van. Japanese bonsai professionals seem to drive vans exclusively, and of these, the Toyota Hiace was one the more popular models. Following the general automotive fashion I witnessed in Japan, most were black, white or grey. The shot below captures atypical variety in van color and style.

Bonsaimobiles

Bonsaimobiles

Occasionally, Peter Tea and I learned a bit about the trees we handled. The red maple below, Acer palmatum ‘Seigen,’ was developed at Aichi-en. It’s an extraordinary example of the variety.

Japanese maple - seigen

Japanese maple – ‘Seigen’

Seigen maple (red leaf) grown at Aichi-en

Great trunk and roots

We also had a chance to think about how the trees were displayed. Medium displays typically featured a larger tree and a smaller, a conifer and a deciduous or broadleaf evergreen tree. Some made great pairings.

White pine

Japanese maple and Japanese white pine

Japanese maple

Close-up of the maple

Needle juniper

Needle juniper on root stand

Japanese black pine

Japanese black pine and trident maple

Japanese black pine

Pine and broadleaf evergreen with fruit

The remaining trees were pleasant on their own.

Japanese maple

Japanese maple

Japanese maple

Japanese maple

Cryptomeria

Cryptomeria

Trident maple

Trident maple

Chinese quince

Chinese quince – great ramification

Shohin bonsai

Shohin display

Shohin bonsai

Shohin display

Cypress

Cypress

Kumquat

Kinzu – wild kumquat

Broadleaf bonsai

Broadleaf evergreen

Japanese beech

Japanese beech

Peter Tea provided a nice write-up of the event – see his post, “82nd Meifu-ten Bonsai Show.”

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