Bonsai Tonight

Napa Valley Bonsai Club 2015 Exhibit

Posted in Exhibits by Jonas Dupuich on April 24, 2015

Last Saturday the Napa Valley Bonsai Club held their 2015 exhibit at the Senior Center in Napa, California. The one-day event featured a good-sized display area indoors and vendor area outside. I had the honor of working on a demonstration tree in the afternoon.

As spring is in full-swing, the exhibit was full of fresh foliage on deciduous varieties, the conifers featured bright green foliage tips, and the broadleaf evergreens sported tiny new leaves in the process of replacing last season’s leaves. It was a beautiful show and a fun event to attend. Below is a sample of the trees on display.

Korean hornbeam

Korean hornbeam

Shimpaku

Shimpaku

Black pine

Black pine

California juniper

California juniper

Olive

Olive

Shimpaku

Shimpaku

Japanese maple

Japanese maple

White pine

White pine

Ginkgo

Ginkgo

Black pine

Black pine

Coast redwood

Coast redwood

Shimpaku

Shimpaku

Shohin bonsai

Shohin bonsai

Procumbens juniper

Procumbens juniper

Black pine

Black pine

Olive

Olive

For those of you who haven’t done so already, now’s your last chance to submit questions for this morning’s AMA with Michael Hagedorn. Michael is an outstanding bonsai artist and an insightful teacher. Some fun facts about Michael:

  • He worked for years as a professional bonsai potter
  • He apprenticed in Japan with Shinji Suzuki
  • He wrote a great book about his apprenticeship
  • He’s danced the tango for years

Check out the fun today at Ask Bonsai Tonight – Michael will begin answering questions around 11:00 am Pacific Time.

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Spring watering for recently repotted trees

Posted in Bonsai Development by Jonas Dupuich on April 21, 2015

Last week, Michael Hagedorn offered some great advice about watering recently repotted trees in spring:

To sum up, only read the moisture level where there are roots to determine when to water.

– from Spring Watering Tip

I’ve found Michael’s suggestion useful for many of the trees in my garden this year.

Cryptomeria

Cryptomeria

Looking at the surface soil of these trees, we can see that the original rootball is dry in both cases, but the new soil is wet in one pot and dry in the other.

Cryptomeria - needs water

Dry original soil, dry new soil

Cryptomeria - needs water

Dry original soil, wet new soil

It doesn’t matter that the new soil is wet in the photo above – because the soil is dry where the roots are, the tree needs water.

Sometimes it’s easy to tell when recently repotted trees need water – other times it can be tricky. When using akadama, it’s relatively easy to distinguish wet soil from dry as wet akadama is significantly darker in color than dry akadama.

Coark oak

Wet original soil, wet new soil – no need to water

When the original rootball is under a layer of new soil, however, it can be hard to tell if rootball below is dry when the surface soil is still wet. In these cases, I poke around to see how the soil around the roots looks. If it’s dry, I’ll water – if it’s wet, I’ll avoid watering.

Dry soil

Dry surface soil – does the tree need water?

Wet soil

Wet surface soil – time to check to see if the original rootball is wet or dry

Last year I noticed a less-common phenomenon – a rootball that stayed wet for a long time, even when all of the surface soil was parched. I didn’t notice this for a while which led me to over-water a bit – a condition that’s stressful for varieties that require soil to dry out between waterings. Since making that discovery, I now check far more of my trees every time I water.

If you haven’t already read it, I recommend checking out Hagedorn’s Spring Watering Tip as well as his 2013 post, Spring Watering Tips, for more information about the art of watering.

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Juan Andrade AMA

Posted in Reflections by Jonas Dupuich on April 17, 2015

Last month, Juan Andrade responded to questions posed via Ask Me Anything (AMA) at Ask Bonsai Tonight. Jeremiah Lee was at Aichi-en studying with Junichiro Tanaka at the time and coordinated with Juan to make the AMA happen. Juan has been very generous with his time and has provided responses that shed light on his experience as an apprentice in Japan.

Juan Andrade

Juan Andrade – photo courtesy Jeremiah Lee

For those who aren’t familiar with him, Juan Andrade is a bonsai artist from Santa Ana, Costa Rica. A passion for bonsai has led Juan around the world in search of bonsai knowledge. I met him during a period of study with Boon Manakitivipart, and Juan later studied at Rosade Bonsai Studio in New Hope Pennsylvania.

Today he is an apprentice at Aichi-en in Nagoya, Japan. His work is fantastic. If you don’t already, I recommend following his updates on Facebook at Juan Andrade Bonsai.

Below are the questions that have been answered to date. I’ll provide updates as additional responses come in.

And do note, another AMA is on the way – details coming soon!

Q: We hear a lot from black pine, red pine and white pine being used as bonsai in Japan, and I know how special black and white pine can be to the japanese. But are there other pine species in Japan? what are they if any and are those being used for bonsai too? I would like to know if anyone is working with Surasshumatsu (スラッシュマツ ) as a 盆栽 in Japan. It is the only pine that is readily available where I live.
– Xavier

A: Black, red and white pines certainly dominate the Bonsai scene here. There might be others pine species present in the Japanese islands that I am not aware of. At least in the Nagoya area, which is central Japan, I have seen Mughos and Scots pines used as Bonsai. In two years, I can count them on the palm of my hands. I have also seen hybrids between black and red pines , but the leaf quality is not so good (the needles tend to twist on those, and sometimes heavily). No Pinus elliottii either, sorry wink Are you treating them as a black pine? Luckily, there is an impressive amount of cultivars amongst the traditional pine species: my favorite ones currently being ‘gansekisho’ red pine, ‘nasu’ white pine and ‘kotobuki’ black pine.

Q: What’s your favorite thing to eat in Japan?
– Jeremiah

A: Hands down my favorite is Ramen, specially pork based broth with lots of garlic.

Ramen – photo courtesy Jeremiah Lee from his recent posts about Aichi-en

Q: Would you please tell us about the different cut pastes you use at Aichi-En?

– Jeremiah

A: 90% of the time we use a product called “Jointcaulk-A”. Technically, its an elastomeric sealant.Its waterproof and it never goes hard even after years out there in the sun. This is quite beneficial for rapid callous formation for several reasons: 1. Because its stays soft for a very long time, its easy for the callous to roll under it and push it off. Removing it is quite easy as well. 2. Because its hydrophobic when dry, it prevents water from entering the wound but it also protects the callous tissue from drying out. 3. It’s dark in color. Oyakata believes callous grows better when not exposed to light (same idea as the aluminum foil trick for covering japanese maple wounds). These caulking compounds are usually made of silicone, latex or polyurethane. I know the silicone one is used in the satsuki field-growing operations. The one available here is latex-based. The one I get back home is polyurethane-based and it works fine as well. These kinds of sealants work so well that they produce a thick, fast-growing callous. Sometimes we want a flat, slow growing callous so the wound is less visible (typically in older more refined trees). In these cases we use electrician’s putty, which the cost-effective version of the typical putty-type cut paste often sold for bonsai purposes.

Q: Do you have any long term or short term goals related to Bonsai?
– Jeremiah

A: I don’t know whether this will be short or long-term, but my priority now is to get acquire sufficient skill for my Master to consider me ready to go home. I do think, of course, of a business of my own in the near future. Ideally It would be a nursery / school dealing with high quality bonsai (collected conifers and field grown deciduous).

Q: How do you encourage Acer Palmatum to close large wounds (other than time)?
– Scott

A: There are several large japanese maples that we have in the nursery which are in the process of wound healing (yamamomiji, arakawa and some red-leaf cultivars). The normal japanese maples and arakawas are strong enough to heal large wounds in a pot. The are planted in soil media with 20-30% more river sand than normal (drier mix means stronger root growth, which is reflected by stronger top growth). Those are not pinched in the spring, nor partially defoliated. They are just allowed to run strong for the entire growing season and not cut back. They are watered very heavily. We used the joint-caulk cut paste on them. The arakawa has a wound about 6 inched across at its widest point. I have monitored this particular wound for the last two years and the callous seems to spread about an inch per year. The trees have not been repotted so far. Usually, after re-potting, maples slow down a bit but their vigour increases greatly in the second and third year. The red-leaf cultivar just went straight into the ground. Being a bit weaker that regular momiji, growing in the ground or in a raised bed gives then best chance of healing wounds.

Q: Who is your favourite potter?
– Scott

A: I like old japanese pots. Collectively they are called “wabachi”. The glazed ones have a rustic feeling to the clay (usually cream colored clays) and the glazes themselves are thick and multi-colored and sometimes feature ” glaze drips”. The unglazed ones are usually red-clay with heavy patina on them They have a burnished polished feel and sometimes one can find patinas good enough to match chinese antiques. For a low-wage apprentice like me, they are the ultimate “bang for your buck” pots. To properly answer your question, out of the modern japanese potters, I like Syuzan and Sensyu pots (I can blame Peter Tea for that), though they are often out of my budget LOL.

Q: Initially, how are root over rock bonsai best attached to the rock? wire, foil, string, other?
– Scott

A: Aichi-En is reputedly one of the places that first started making trident maples root over rock, particularly cascading tridents over tall stones. Oyakata’s grandfather tied the maples roots to the rock with steel wire. You might think that is a bit harsh, but the since the trees were developed in the field, the sheer strength of the root growth made them push and detach themselves from the rock over time. Because of this, he used the strongest wire available at the time. In theory, the idea was that the roots eventually engulf the wire and heal the over the wire scars. In practice (and in the long run) the better ones did heal over the wire scars, but you still you can find traces of wire scars on most of them if you look closely. In some cases the steel wire oxidized and I think it might have caused rotting and decay of the inner wood of the fused roots. If you are doing a big project in the field, I would recommend you thin stainless steel (thin wire= thin wire scars that heal easily). For smaller, slower growing projects ,I would recommend any strong non-stretch material that you can bind the roots with tightly and does not bite into them, like a flat plastic rope <wink>.

Q: Why did you pick Aichi-En as your location to study?
– Jeremiah

A: There are several kinds of bonsai nurseries in japan that tend to specially in certain areas of the business: field growing or collecting, development or structure making, refinement, maintenance, reselling, etc. Aichi-En falls broadly into structure-making and refining for customers. We do a little bit of filed growing as well , and we take care of several Kichou (important masterpiece Bonsai) for high-end customers. So making the decision to come here was not hard in the sense that I would have been getting a balanced education in Bonsai making. Peter Tea’s recommendation was very important to me., and once I came here for the first time as a visiting apprenticeship I fell in love with the place and the working environment. A big plus is that Oyakata is generous, kind, polite and overall awesome dude to go around with and learn from.

White pine – photo courtesy Juan Andrade

Q: Do you plan to spend any time in the US after your apprenticeship teaching?
– Jeremiah

A: When I came to Japan for my apprenticeship, I had to (in many ways) let go of things that tied me down to my homeland. I don’t know exactly when my apprenticeship will be finished, but I am aware that business is picking up in the US (and maybe not so much in Costa Rica). So even though my original plan was to return to Costa Rica, I now realize that travel and work within the US and quite possibly moving there is a strong possibility.

 

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Repotting black pine in nursery soil

Posted in Bonsai Development by Jonas Dupuich on April 14, 2015

Sometimes during repotting, I feel like I’ve passed a point of no return. The feeling struck when I was working on a black pine this past winter.

Repotting black pine

After combing out the roots – there’s no going back

The pine – see Friday’s “Cleaning up a black pine” for a look at the tree today – is undergoing the transition from landscape material to bonsai. One of the more radical aspects of the transition happens in the pot – the switch from nursery soil to bonsai soil.

The first time I repotted the tree, I had to remove a lot of roots to get it into a smaller pot. This didn’t provide a good opportunity to change out much old soil as I wanted to keep the tree strong. Two years later, the tree was strong enough for a more invasive repotting so I went about bare-rooting half of the rootball.

Bare-rooting bonsai typically reduces vigor greatly and it can kill conifers. For this reason, it’s common practice to bare-root a portion of the rootball – maybe 1/3 or 1/2 of the rootball – one year and bare-root another portion in a subsequent repotting 1-2 years later. That’s the approach I took with this black pine. Here’s the tree before repotting.

Black pine

Before repotting

After removing the tree from the pot, I had to decide which side to bare-root. I selected the side with the least amount of roots. This reduced the stress to the tree – I could preserve more fine roots this way – and it left me with a solid chunk of soil that would help me anchor the tree in the pot.

When bare-rooting, I try to remove old soil without damaging the roots. This involves carefully combing out the roots with root hooks and chopsticks – a labor-intensive process. Depending on the condition of the old soil, I’ll sometimes rinse off the bare-rooted half of the rootball with water to completely remove the old soil.

Repotting black pine

The bare-rooted half of the rootball

Repotting black pine

The intact half of the rootball

Repotting black pine

Half-bare rooted rootball from above

When the rootwork is complete, I take care to ensure the intact part of the rootball stays together. After adding a drainage layer to the pot, I nestle the tree into place and make sure it’s centered and positioned at the right height. Once the tree is set, I begin adding soil.

Repotting black pine

After setting the tree

I used a chopstick to prop up a root that was growing downward. In this new position, it can form part of the surface roots.

Typically, the next step is wiring the tree into the pot. When working with exposed roots, however, I work in soil between the roots before wiring the tree into place to avoid crushing the roots.

Repotting black pine

After adding some soil between the roots

Repotting black pine

After adding more new soil – just a bit more to go

When the soil has covered the roots, I can wire the tree into place like I normally would.

If the tree is wobbly after wiring the rootball to the pot, I’ll add a prop or a guy line to help hold the trunk in place. The roots and intact portion of the rootball provided a good anchor for this tree so wire sufficed.

Black pine

After repotting

I began fertilizing the tree a few weeks after repotting and am now feeding heavily in anticipation of decandling later this spring. I’ll think about removing the rest of the old soil in a year or two depending on how the tree grows in the meantime.

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