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Tom Vuong’s Giant Trees

July 13, 2025 by Jonas Dupuich

I drew a lot of inspiration from my visit to Tom Vuong’s bonsai garden. It wasn’t just the trees, but the way he handled them.

California juniper

California juniper

California juniper

Semi-cascade California juniper

Tom came up with many the techniques he uses on his own. This extends to the way he collects junipers, bends large branches, and works on deadwood. He air layers black pines – even cork barks – regularly, and has perfected a method for grafting pines using candles before they’re fully open. Over time, Tom’s hard work has produced a large number of (large) trees that wouldn’t be bonsai without his vision and novel techniques.

California juniper

California juniper

Cork bark pine

Cork bark pine

Rows of shimpaku with full silhouettes, many grafted over the years, offered contrast to the deadwood-focused designs of the garden’s California junipers.

Shimpaku

Shimpaku

The largest of the olives are more than three feet in diameter at the base.

Olive

A massive olive

What might look like an average to large-size bonsai in Tom’s garden would stand out as giants in most collections.

California juniper

Extra-large California juniper

Tom Vuong

Tom standing next to the tree for scale

That’s right – a number of the trees in Tom’s garden are over six feet tall.

California juniper

A tall California juniper

Deadwood detail

Deadwood detail

While I wandered through his garden, Tom generously answered questions and pointed out examples of whatever we were talking about. He’s a fantastic guy and I highly recommend a visit to his garden if you find yourself looking for dramatic additions to your collection.

Junipers with deadwood

Junipers with ancient deadwood features

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Filed Under: Excursions

Previous Post: « A visit to Peter Macasieb’s shohin garden
Next Post: A visit to David Nguy’s garden »

Reader Interactions

Comments

  1. Robert Beath says

    July 13, 2025 at 10:35 pm

    How does he finance this garden? Does he work alone? Is he able to “show” the work in Bonsai exhibitions locally and world wide?

    • Jonas Dupuich says

      July 14, 2025 at 9:58 am

      My understanding is that Tom is a bonsai professional who collects or creates from stock plants the bulk of the material in his garden. He’s shown work in local exhibits, but it looks like a significant portion of his contributions goes to private collections.

  2. Venatorscribe says

    July 14, 2025 at 12:10 am

    I can see the talent and work you’ve undertaken, however the final design isn’t my cup of tea. Each to his own. But good you post. I read everything. Cheers Craig

  3. Maria Grissom says

    July 14, 2025 at 6:01 am

    My favorite is the shimpaku

  4. Gary Ostoich says

    July 14, 2025 at 1:39 pm

    Jonas

    I saw an interview/garden tour on youtube with Tom in which he mentions that he uses a machine to help carry the very large yamadoris- perhaps a simplistic question but do you know what machine he uses? Do you think his method of using candles for grafting could be used in a specific area of a black pine (apex) that just lost most if not all of its needles in that area (but otherwise healthy) through a previous owner being too rough on wiring the delicate branches in that area?

    Thanks as always for great posts.

    Gary

    • Jonas Dupuich says

      July 15, 2025 at 10:51 am

      I know he uses a pallet jack to move the big trees – I forget it it’s an electric model. As for the grafting, it’s worth a try, but in general you’ll need healthy foliage past the graft site to ensure there are resources flowing through the area to be grafted.

  5. WAYNE LATEGAN says

    July 16, 2025 at 7:40 am

    Hi Jonas ,
    Do you have a little more info on the grafting process of the JBP “using candles before they’re fully open”?
    Eg. What time of the growing season and can it be grafted on any branch?

    • Jonas Dupuich says

      July 22, 2025 at 11:42 am

      I don’t have photos so I’ll have to give it a try next year. My understanding is that it’s done after the candles start elongating but before the new needles fully emerge (just before the green emerges).

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